Synopsis: An anti-love story.
About: This played at Sundance ’08 and stars Zooey Deschenal and Joseph Gordon Levitt.
Writer: Scott Neustadter & Michael H. Weber
500 Days Of Summer (Summer is the female character by the way) is a film that, dare I say, a young Woody Allen might have written. It took me awhile to understand that, but once I did, I really started to enjoy it. The movie starts off with a Narrator (presumably the author) declaring, “This is NOT a love story.” Oh wait, I should back up. Before any of the script is written, the writer states, “The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental.” One page later. “Especially you Jenny Beckmen.” One page later. “Bitch.”
Every scene in 500 Days of Summer is preceded by the day number in the relationship. Usually we’ll go from Day 33 to Day 401 to Day 55 to Day 350 – with the ends of the relationship getting closer and closer. So it’s kinda cool. Cause we’ll go from a scene where Tom and Summer are laughing their asses off having the best time of their lives. To a scene where they’re at a restaurant wanting to rip each others’ heads off. It’s a neat way of showing how much relationships change over time.
If indeed this is based on the writer’s life, as he implies, I feel really sorry for him, because Summer, by all accounts, is a complete and utter bitch. Playing with gender-reversal here, Summer is pretty much the guy in the relationship and Tom the girl. She refuses to be labeled as boyfriend-girlfriend. And Tom – well – that’s the only thing he wants. And he believes that Summer, who we’re told right off the bat is way out of his league, is his soul-mate. This forces us to endure this completely one-sided relationship with poor Tom. We’re hoping and praying that Summer will finally come around and love him the way he loves her. But sadly, as we were warned in the beginning…this is not a love story.
The unique structure keeps you on your toes. You never quite know what’s going to happen next. In fact, the only clichés in the film are that Tom works at a Greeting Card company (ugh, please no one use this anymore) and he secretly wants to be an architect (doesn’t every guy in every movie?).
I guess in the end the whole 500 days thing and jumping back and forth can be looked at as a gimmick. Because on the whole, it really doesn’t add *that* much to the story. But it’s different. And in a world where a lot of these romantic comedies are the same, it’s a welcome change. If you can’t wait for those cash-hungry indie houses to scrape up enough money to get this thing distributed, I’d highly recommend checking out the script. It’s a good read. Just make sure you’re a bit of a masochist. If you’ve ever been in a relationship where you liked your partner a lot more than they liked you (come on, haven’t we all?) this one’s going to hit close to home.
Oh and the very last line is a classic. I don’t want to hype it up. It’s not like the first time you saw The Sixth Sense or anything. But it’s a great great line.
[ ] trash
[ ] barely kept my interest
[ ] worth the read
[ ] genius
What I learned from 500 Days Of Summer: I think the thing that struck me right off the bat was how unlikable Summer was. And how that was the first time in romantic comedy history I had ever seen an unlikable female lead. Again, do something different with one of your main characters. Do something different with how you tell a story that’s been told a million times before (going back and forth randomly in time). 500 Days is a unique take on a tried-and-true genre. How will you make your story different?