amateur offerings weekend

A quick reminder on loglines, friends. Avoid general phrasing to describe big swaths of your script, particularly the last act. “A young man meets an alien only to realize that friendship is a two-way street.” “An older woman discovers a cave full of gold before coming to the ultimate conclusion… greed kills.” “A famous actor starts believing that he’s living in a movie, and that life is a lot more complicated than it seems.” Do you see how the second half of every one of these loglines TELLS US NOTHING? Every time I see one of these loglines I want to strangle somebody.

Be specific! Tell us what the plot is! “A famous actor who believes he may be living in a movie sets out to find the director so he can get back to the real world.”

There were so many of these submitted that I was forced to include one in the offerings. But no more! Please avoid this in the future. You want people to know what your script is about, right? Tell them what the plot is with your logline.

Okay, on to this weeks’ picks.

Read the scripts and vote in the comments for your winner. Top vote-getter gets a review next Friday.

To submit your script for a future Amateur Offerings, send me a PDF, along with the title, genre, logline, and finally, why your script deserves a shot, to: Carsonreeves3@gmail.com. Remember that your script will be posted. If you’re nervous about the ramifications of a bad review, feel free to use an alias name and/or script title. It’s a good idea to resubmit every few weeks so your submission stays near the top.

Good luck to all!

Title: King Solomon’s Mines
Genre: Action/Adventure
Logline: Victorian-era big game hunter Allan Quatermain leads a daring expedition into unexplored African territory in an attempt to locate an explorer who went missing while searching for the legendary diamond mines of King Solomon. Based on the novel by H. Rider Haggard.
Why You Should Read: I’ve been fascinated with the novel King Solomon’s Mines ever since I first read it and while reading it I’ve always envisioned it as a movie because of how cinematic it is. Even though the book has been filmed several times before, the last theatrical adaptation was released in 1985, and I feel that now would be a good time to reintroduce the story to modern audiences.

Title: Cal Bain
Genre: Thriller
Logline: Seven English twenty-somethings discover the island they’re camping on has a hidden history of murder. And history has a way of repeating.
Why you should read: It’s got a killer first page.

Title: Never Stops (Endless)
Genre: Crime/Fantasy
Logline: Stuck in a perpetual psychedelic trip, a drug dealer has until midnight to retrieve stolen goods from the girl of his dreams and return them to a ruthless kingpin.
Why You Should Read: I just moved to Los Angeles from New York City to pursue a career in screenwriting. “Confessions of a Failed Screenwriter” was on loop in my head almost every day leading up to the move. I’m currently contracted to write a script for a Canadian production company (paid), which is exciting, and hopefully a step in the right direction. As for the script, it’s pretty out there. I tried to infuse elements I like about the crime genre (Victoria meets Enter the Void) and create something that makes you say “the f*ck did I just witness?” But in a good way.

Title: GOLDIE
Genre: Thriller
Logline: A female serial killer with a penchant for porridge stalks a true crime author she wants to write her life story.
Why You Should Read: The most famous home invader in all of fairy tale history has never gotten her own movie. This is a fresh modern take on one of the most globally recognized public domain characters that Hollywood hasn’t cracked. The script was a Finalist in two screenwriting contests: Fresh Blood Selects & Search for New Blood 3.

Title: NADA
Genre: Contained thriller.
Logline: Fleeing from Cuba to Florida inside a shipping container, a pregnant young woman must fight for survival when her container falls into the sea during a storm.
Why You Should Read: I wanted to add new and different twists to the recurring elements we see in the lost-at-sea genre while having one sole female protagonist. And why should you read it? This is not my first script, but it is the first I’m really proud of. I’ve been working on it for the last nine months and I’m still having fun with it, so I guess that’s a good sign! Honestly, I can’t wait to read Carson’s thoughts on it, whether mixed, bad or horrible.