Genre: Historical Action/Adventure
Premise: A forgotten king fights to take back his kingdom.
About: These days it’s hard to find bidding wars in Hollywood. Studios are getting cheap. But Friday was an exception as Warner Brothers battled it out with Paramount for the spec script, “Odysseus”. I’m not sure how much it sold for but I assume it’s a lot. Now an interesting little tidbit. The script is being directed by Joseph Liebesman, who also happens to be directing another script I reviewed on Scriptshadow. A little script called “Battle: L.A.” I’m not going to go any further than to say Liebesman might want to get Peacock to rewrite that one.
Writer: Ann Peacock

Sometimes The Scriptshadow must wield his power over The Hollywood. He must show them that his fingers can reach deep into the center of the beast, and rip from its body any organ he so chooses. Today’s organ of choice? Odysseus, a script that was sold less than 16 hours ago! Reviewed for you here. On a Saturday. On a fucking Saturday! A day I was supposed to have off!!! Damn you Hollywood! DAMN YOU ALL TO HELLLLLLLLL!!!

I guess this is what happens when you receive a script on a day when you’ve already read three. So before I fall into a heap of exhausted slumber, let us get in our time machines, and head back to the ancient times. To Greece (or somewhere near there anyway).

Ithica is a beautiful island off in the middle of the sea. Its people have lived without their king, Odysseus, for 20 years, as he never returned from the Trojan War and is assumed dead. But the peaceful Ithicanians (?) are in for a rude surprise, as an army of bloodthirsty warriors, led by the Ancient Greek version of Darth Vadar, ANTONINUS, arrive on the island. The Ant Man is both a mystery and a terror. And his horse will piss on your face (no seriously, he will).

This army of ancient douchebags slaughter the locals like chickens in a chicken pen and overtake Odysseus’ castle without so much as raising a finger. There, Antoninus captures Odysseus’ wife Penelope, and his son, Telemachus, and begins his rule over the land.

After years go by, a starving weak bearded man washes ashore, a man who it doesn’t take long for us to realize is Odysseus. He’s finally come back to his kingdom. But what he finds there instead, is an island destroyed and decimated. If Odysseus wants his kingdom and his queen back, he’s going to have to fight for it.

The first thing that struck me when I opened this script was the page count. It comes in at a lean 90 pages. Yes! 90 pages! I can’t remember the last time I read a 90 page script. It seems like every script these days is 117 pages. But this wasn’t done to appease my lack of sleep. It was done to keep the story moving as fast as possible. This is the first script I’ve read in awhile where there were no unncessary scenes. Every inch of real estate here had a purpose and it’s an awesome decision. The script flies like a Greek eagle.

Every character here is compelling. Odysseus’ people hate him because he never came back from the war. Why didn’t he? Queen Penelope must live with the sadness that her husband never loved her enough to come back. Telemachus, Odysseus’ son, must serve Antoninus or his mother will be killed. And there are many great secondary characters sprinkled throughout the script.

I think the moment I really knew I was dealing with a professional was when Odysseus began planning how to take back the kingdom. Soonafter, Antoninus orders a child from every household to be murdered in 24 hours if Odysseus is not captured. This does a couple of things. It turns his own people against him. But more importantly, it forces Odysseus to speed up his plan drastically – in effect, giving him an impossible timeframe to acheive his task. This is what good writing is about. Creating an extreme sense of urgency where the stakes are incredibly high. So few writers do that these days. I was very impressed.

Another nice surprise was Antoninus, who could have easily been a stereotype villain but who we learn actually has a pretty compelling reason to be doing all this to Odyssesus.

I don’t know if you’re a Braveheart lover like me. But remember the scene where William Wallace comes back to the village after his wife is slaughtered? Well the final 40 pages are like an extended version of that.

As you know, I haven’t read anything that’s really excited me in awhile. Sloshing through these top-selling scripts of 2008 all week, I was beginning to think that nobody at the studios knew what the hell they were talking about. But Odysseus definitely deserved the bidding war it received. Great script and very impressed.

[ ] trash
[ ] barely kept my interest
[ ] worth the read
[x] impressive
[ ] genius

What I learned from Odysseus: This script is the perfect example of no wasted space. Every scene is important to the story. There are no vanity scenes. Every scene has momentum and purpose.

  • Anonymous

    when will you post the script online? :)

  • http://www.blogger.com/profile/08439555051697115476 Carson Reeves

    I want to. But I just can’t. It depends on how quickly it gets out there. If pretty soon everybody has it, I will post it. Sorry! :(

  • http://www.blogger.com/profile/18367418602782618046 Mongo

    I can’t imagine it was better than BALLS OUT.

    I can’t imagine that.

  • Anonymous

    Okay.

    The project sounds very interessting, I liked the review and that WB wants to make something like 300 and Taken together. Sounds pretty cool.

  • Anonymous

    Is it going to make your top 25?

  • Anonymous

    I may have missed it, but I don’t see it noted anywhere that this is not an original; it is an adaptation. The things you loved about this script may not have been Peacock’s invention but Homer’s.

  • Anonymous

    Yes, I know that.

  • http://www.blogger.com/profile/02163221455899041141 Emily Blake

    Homer doesn’t spend nearly as much time on Odysseus’ homecoming as he does on the trip home, so it sounds like these ideas are largely the writer’s, inspired by the situation.

    As a high school English teacher I have to say YAY! For years the only movie version fit to show was the Armand Assante made-for-tv version, which is pretty weak. I’d love this to show in class because it adds a perspective to the story and gives the class a lot to talk about without just being a film version of the poem.

  • Anonymous

    Impressive you got this so fast. Glad to hear its a strong script!

    -lucidimage

  • http://www.blogger.com/profile/13868933997157762707 Carson

    I am by no means a historian. I have a friend who can recite every name in Greek literature. But I actually know very little about that time other than everybody’s name seems to end with “ius”. Which is one of the reasons I was surprised I liked it so much. —- It came very close to making the Top 25 but didn’t quite get there. Still a very good script though.

  • Anonymous

    Good review mate. Any chance we’ll see the script soon?

  • Anonymous

    This is an adaptation, it is not original in the sense we mean it to be. This is like adaptating ROMEO AND JULIET without mentioning Shakespeare. C’mon, it’s weak and you know it.

  • http://www.blogger.com/profile/14087428523817594057 Freshmen

    I read it and I thought it was a piece of crap. It was entirely not faithful to the Odyssey, and the characters were changed soo much that it was like they were totally different characters. I just wished they made a movie off the Odyssey with the Cyclops, Circe, Calypso, Scylla, and the other creatures that were in Homer’s epic poem rather than just showing what happened AFTER the cool adventure was over. BORING.

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  • Anonymous

    This was like a satire, right? How could you possibly that the script as you describe as good. First of all, the author doesn’t know the difference between Greek and Latin and thinks that a Greek character named Antinuous instead has the Roman Antoninus. Then ridiculous mixing of stories takes place. The slaughter of the innocents is removed from its place in the Bible and dumped into the Return sequence in the Odyssey.

    The reason Antinuous acted the way he did was out of greed. Thee isn’t any other motive.

    You seem to be endorsing the idea that good writing is taking perhaps the greatest story ever written, chopping it up and revivifying as cheap Hollywood cliche.

    You haven’t even read the Odyssey, have you?

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