When you’re writing a screenplay, every little thing counts. Even spelling words correctly counts. So if you can make your script 1% better by adding a cool plot development on page 40, you do it. And if you keep doing that over and over, making little improvements here and there? Before you know it, your […]

Genre: Horror Premise: (from Blood List) A goat farmer discovers a newborn baby among the bodies of a cult’s mass suicide. In nurturing the baby, the farmer’s cancer-ridden wife starts getting better. But there’s something dark about the child’s power. About: We’re just 10 days from The Black List. Going off what I’ve read from […]

Genre: Crime/Period Premise: An Irish hitman joins the Italian mob, allowing him to meet Jimmy Hoffa, who he develops a deep friendship with. About: After 10 long years of development, Scorsese’s latest passion project, The Irishman, is here. Unable to get studios interested in a 150 million dollar flick that didn’t have superheroes in it, […]

Welcome to The Mandalorian Teleplay Chronicles. I will be reviewing every episode of The Mandalorian’s first season with an eye towards helping writers learn TV writing. Whether the show is a breakout hit or a Jar Jar Binks level bust, we’re going to be focusing on how to become better TV writers. Here’s a link […]

With The Irishman just having come out on Netflix (I haven’t seen it yet – will check it out this weekend), here’s my review of the screenplay from a few years ago! Can’t wait to find out how it’s changed. Will probably do a script-to-screen on Tuesday. Genre: Crime Drama Biopic Premise: A mob hit […]