This is Nolan Theme Week, where we’ll be breaking down Christopher Nolan’s five most popular writing-directing efforts in hopes of learning something about how he crafts a story.  Monday Roger reviewed The Dark Knight.  Tuesday I took on Batman Begins.  Wednesday was The Prestige, which surprisingly has garnered some of the more heated talkback, Thursday […]

This is Nolan Theme Week, where we’ll be breaking down Christopher Nolan’s five most popular writing-directing efforts in hopes of learning something about how he crafts a story.  Monday Roger reviewed The Dark Knight.  Tuesday I took on Batman Begins.  Yesterday was The Prestige, which surprisingly has garnered some of the more heated talkback, and […]

This is Nolan Theme Week, where we’ll be breaking down Christopher Nolan’s five most popular writing-directing efforts in hopes of learning something about how he crafts a story.  Monday Roger reviewed The Dark Knight.  Yesterday I took on Batman Begins.  Today, I review The Prestige. Genre: Period/Drama/SupernaturalPremise: Two obsessed magicians engage in a dangerous rivalry. […]

This is Nolan Theme Week, where we’ll be breaking down Christopher Nolan’s five most popular writing-directing efforts in hopes of learning something about how he crafts a story.  Yesterday Roger reviewed The Dark Knight.  Today, I review its prequel, Batman Begins.  Genre: Crime/SuperheroPremise: Tiring of the way his city has catered to crime, billionaire Bruce […]

It’s Nolan Theme Week here at Scriptshadow and while I know some of you will bicker about the interruption of our stream of unproduced screenplay reviews, if you’re a Nolan fan, you should enjoy the change of pace.  You see, I’ve been wanting to break down Christopher Nolan’s films for awhile now.  The man is […]