Genre: Drama (Dark Comedy)
Premise: A couple of friends plan out a relaxing weekend vacation, but get involved with a party of wealthy snobs on the verge of a wedding instead.
About: This will be Max Winkler’s directing debut. It will star Jesse Eisenberg (Adventureland) and Michael Anagarano (Snow Angels) and be produced by Jason Reitman (director of Juno). Max Winkler is the son of The Fonz.
Writer: Max Winkler
If you’ve been following Scriptshadow long enough, you know that I’ve read two of Max Winkler’s scripts. The first is The Ornate Anatomy Of Living Things (co-written with Matt Spicer), which I thought was awesome and stands strong in my Top 25. While it’s not for everyone, the Kaufman-esque tale of a bookstore clerk who discovers a museum dedicated to his life is one of the most imaginative scripts I’ve ever had the pleasure of reading, and it put Winkler and Spicer on the “I’ll read anything of theirs” list (a prestigious list if I do say so myself). The second is the one million dollar spec Winkler and Spicer co-wrote with Jonah Hill, “The Adventurer’s Handbook.” I like Winkler and Spicer. I like Jonah Hill. How I came to dislike this script so much then is a bit of a mystery. I think it was the issue of squandered opportunity, a cool idea sacrificed for Apatow-style “guys hang around and make fun of each other for 120 minutes” humor. Whereas Ornate had imagination to spare, Handbook’s imagination would’ve taken its own adventure to find. In retrospect, however, I champion the sale. A big spec sale is good for all writers. Inspires other companies to go out and make their own big spec splash.
I didn’t know much about Ceremony other than Winkler was writing alone this time and would be using this as his first directing vehicle. Hooking up with the talented Reitman as producer was also a smart move. The draft I read was dated late 2008, so I’m sure some of its contents have changed since then. I’m guessing the overall story and characters haven’t though. So how was it? Let’s find out.
Overly selfish Sam, 24, is an unsuccessful children’s book author who’s recently connected with his psychologically scarred best friend, Marshall, whose defining characteristic is that he always seems to be on the verge of a nervous breakdown. The two haven’t seen each other in forever because the selfish Sam stopped returning Marshall’s calls. Lucky for Marshall, Sam’s invited him to a weekend getaway where the two can catch-up and patch-up their friendship. They head off to the New York countryside and find a little hotel in the middle of nowhere.
Once there, however, Sam immediately starts acting strange. He’s always distracted, and seems particularly obsessed by the large party of people residing at a nearby mansion. Instead of plugging up old holes in their friendship, Sam suggests they head over to the mansion and see what all the fuss is about. Marshall, who seems incapable of thinking for himself, reluctantly agrees. Once at the party, it becomes clear that Sam is looking for someone. And that someone is the stoic emotionally unavailable Zoe, who happens to be ten years Sam’s senior. It’s clear that the two have some kind of past together and that Sam is here to declare his love for her. Little does he know (or did he know?) Zoe is getting married this weekend to the even more selfish documentary filmmaker “Save The World” Bono-wannabe, Whit. It doesn’t take long for us to realize that “rekindling his friendship” with Marshall was never a part of the weekend plans. Sam merely used Marshall for his car. The rest of the story concerns Sam desperately trying to convince Zoe to run away with him, while the oblivious Marshall tries to refocus Sam on their friendship.
In short, I didn’t want to participate in this ceremony. The movie’s full of characters who are extremely difficult to like. Sam is so selfish and so cruel to Marshall, it’s hard to muster up even a sliver of sympathy for him. And Marshall is so spineless and such a loser, you practically root for someone to kick his ass. Zoe’s emotional unavailability and constant toying with Sam makes her just as bad as the others. It’s like hanging out at a party with a bunch of people you don’t like. There are shades of Max’s relationship with Rosemary in the great movie, Rushmore, here, but those characters were dripping with heart. I can’t find a pulse in any of Ceremony’s characters and it made for a disappointing read.
I’m hoping these problems were addressed in the rewrites, but even if they weren’t, I root for this movie to do well. It’s normally the kind of film I fall head over heels for and I’d like for nothing more than to be proved wrong. Winkler’s still on my “Read anything of his” list but as much as I wanted to, I couldn’t get into Ceremony.
Link: No link
[ ] trash
[x] barely kept my interest
[ ] worth the read
[ ] impressive
[ ] genius
What I learned: Winkler and Reitman seem to be subscribing to the theory that Eisenberg and Anagarano will make these characters tolerable. Casting actors to make up for character issues in a script is always a risky proposition. Of course there are cases of it working, but even if you cast Tom Hanks as Adolf Hitler, it doesn’t mean we’re going to like Adolf Hitler. It’s best to address these issues on the page, where you still have control.