This week, we are highlighting the top 4 vote-getters in the Mega-Showdown Screenwriting Contest. Monday through Thursday, I will post the first five pages of one of the finalists and all you have to do is read the pages and gauge how you feel.
What we’re trying to do differently from past showdowns is to give every writer their own day so that people actually read their pages as opposed to evaluating the entry on a logline or a first page. We’re trying to find the best writing, the best storytelling, in the bunch.
Also, this is a great opportunity for all screenwriters to learn. A lot of screenwriters still don’t read scripts. It’s hard to know if what you’re writing is good when you don’t have anything to compare it to. This week, you’re going to read 20 pages total. Take note of what you like, what you don’t like, and try to figure out why. If you do that, I guarantee that you’ll learn something about your own writing.
No votes yet. We’ll reconvene voting this weekend.
Time to introduce our second finalist, another high concept entry, who seems to have some insight into what the creator of Scriptshadow likes. I introduce to you, Bedford, from Joseph Fattal.
Title: Bedford
Genre: Thriller / Sci-Fi
Logline: During a graveyard shift in a local air traffic control tower, a passenger flight goes missing, setting off a series of unexplained occurrences in the sky and leaving it up to a single determined tower operator to untangle the mystery.
