If you would’ve told me two months ago that not only would I *like* Ms. Marvel more than Obi-Wan, but that the show would be infinitely better than the latest Star Wars offering, I would’ve told you’d certifiably lost your mind.

And yet here we are. I have watched 5 episodes of Obi-Wan and 2 episodes of Miss Marvel. And Miss Marvel is executed better in every conceivable way. Today I want to discuss the screenwriting reasons for why that is so that you, dear writer, make more Ms. Marvels, and less Obi-Wans.

Let’s start with the concepts for each show because each is utilizing a time-honored trope, which means there isn’t any originality in the concept of either show. Obi-Wan utilizes the “Taken” trope – a young girl has been taken and he must save her. Ms. Marvel utilizes a “being unpopular in high school” trope.

If you haven’t seen Ms. Marvel, a young high school girl who idolizes superheroes finds an old bracelet in the family attic that gives her superpowers. So while she’s the world’s biggest dork at school, she secretly becomes a superhero herself.

Why does Ms. Marvel’s cliched setup work and Obi-Wan’s doesn’t? Well, with Obi-Wan, we literally just saw a similar setup with another Star Wars show – The Mandalorian. The Mandalorian protects a little kid, who also gets kidnapped, and who our lead also must retrieve. In other words, nothing about Obi-Wan’s setup feels new or fresh.

Meanwhile, Ms. Marvel leans heavily into Kamala’s culture, which is Pakistani. Now I don’t know about you. But I’ve never seen a high school movie where the main character is Pakistani. And what Ms. Marvel does a great job of is leaning into that culture and exploring the ways in which it affects Kamala’s life.

For example, the Muslim religion is a lot more conservative and, therefore, Kamala can’t wear the sexy things that get girls attention at school, that help them get boyfriends and increase their popularity. So the religion and the culture aren’t just a thin coat of paint. They deeply affect how our hero lives.  All of this helps the show feel fresh and new.

Another way the show differentiates itself from Obi-Wan is through the relative importance of this moment in Kamala’s life. For Kamala, this is the single most important thing that’s ever happened to her. She is becoming a superhero. It doesn’t get much bigger than that.

With Obi-Wan, this is nowhere near the biggest moment of his life. He defeated Anakin in Episode 3. That was one. He helped take down the Death Star in Episode 4. That was two. And if we’re to believe all the stories we’re told, he’s done a lot of other big things as well. This is conceivably the 10th, maybe even 15th, most important adventure he’s ever had. Which is why the show constantly feels unnecessary.

As shocking as this might be to hear, Ms. Marvel is also a way better character than Obi-Wan. I can’t believe I typed that sentence so let me clarify it. Ms. Marvel is a better character than THE VERSION OF OBI-WAN THEY GIVE US IN THIS SHOW.

Why is that?

Well, one of the most powerful character types you can create – the character that’s most likely to make people fall in love with your character – is the underdog. Audiences love underdogs. As it so happens, both protagonists in these shows are underdogs. But one underdog we love. And the other we could care less about.

The issue with Obi-Wan’s underdog is that it’s inauthentic. Obi-Wan is made to be this washed up loser who keeps his head down and doesn’t remember how to use the force. Everything about it is manufactured. It doesn’t feel genuine at all. They needed to make him this way to create some semblance of an arc for the series. In order to “get his mojo back” he must overcome his sad sack ways.

Granted, this issue is complicated by things outside the Star Wars writers’ purview. They have a highly restrictive character canon they must work within. But that’s not an excuse. If you don’t have leniency to create a character we like, then don’t make the show. You don’t get to make a show then cry that you had all these restrictions. If you’re going to say, “Watch this,” then you have to stand by the choice you made to bring back a character who doesn’t have anything left to explore.

On the flip side, Kamala’s underdog-ness is excessively authentic. It’s not easy wearing drab clothes that cover your whole body when 99% of your classmates are dressed to attract attention. It’s going to increase the chances that you’re ignored or made fun of. Plus you have this cultural background that not a lot of people understand, which makes you even more of an outcast and, therefore, more of an underdog.

Everything about Kamala’s underdog status feels natural. There aren’t any forced aspects to it. This is something all writers need to watch for. Are you trying really hard to make the audience feel a certain way? If so, the audience probably detects that. And the second someone detects that you’re trying *really hard* to make us like your character, that’s the second we stop liking your character.

Speaking of manipulation, who would’ve thought that a Marvel show aimed at teens would be 1000% more nuanced than a Star Wars show? When Reva bursts out of her ship in her introductory scene in Star Wars, looking for Jedi on Tatooine, she does so with all the subtlety of Happy Gilmore.

I’m two episodes into Ms. Marvel, and the only villain so far is Instagram star, Zoe Zimmer. Zoe has so far been highly nuanced. She’s obsessive about her IG account, yes, but she’s quite friendly towards our hero. This is what a villain should be. They should have bad traits, but also good ones. Even “Obi-Wan’s” late season attempt to explain why Reva’s so angry doesn’t justify her rage. Nothing about her feels organic.

This speaks to a larger problem with Obi-Wan, which is that it’s writing as much to fix problems as it is to create entertainment. It has to weave through so much mythology and plot that it can’t help but feel forced. You can tell that Ms. Marvel has way more freedom in its narrative. The writers can go anywhere they want and, therefore, all they have to focus on is entertaining us.

By the way, this issue can pop up in stories other than those with sequels and extensive mythologies. If you write any kind of story where you’re trying to do too much, your writing will dissolve into the same thing that’s killing Obi-Wan. You’re writing to avoid problems instead of create entertainment.

We saw a gigantic example of this at the beginning of the week, in Jurassic World Dominion. The reason that movie felt so boring was because the writers had to spend the whole time navigating the thick-as-molasses plot rather than just write fun sh*t. There’s a reason they had so much fun with that Dino-motorcycle chase. It was the only scene where they were allowed to let loose and not worry about anything.

There are other things I love about Ms. Marvel as well, which I’m now anointing as the best Marvel show so far. I love that there’s a personal reason for keeping her superhero identity a secret. It’s well-established that her family doesn’t want a daughter who does anything out of the norm. So even if Kamala wanted to tell all her classmates (and the rest of the world) that she was a superhero, she still would’t be able to. There’s no way her parents can ever find out about this or they would disown her.

And that makes this one of the best “has to keep my secret identity” superhero movies/shows yet. I never bought for a second that Peter Parker needed or wanted to keep a secret identity. Honestly, who cares if people know he’s Spider-Man? But with Kamala, since the reason is so personal, you root harder for her to remain anonymous.

There’s also the costume. When I saw the costume in the trailers, I thought, “oh boy, they’ve really hit the bottom of the barrel with superhero shows.” But when you watch the show, you realize that Kamala is the world’s biggest superhero fan. Her dream is to go to Avengercon in cosplay. So she makes that suit herself. Which is why, of course, it’s imperfect. It’s another thing about the show that feels organic, rather than forced.

And the show explores this notion of Instagram celebrity obsession better than any show or movie I’ve seen so far outside of Eighth Grade. Imagine that you want to be popular more than anything. And you have all these people around you who have Instagram accounts that are semi-popular and it makes people like them and boy would it be great if you could somehow have a popular IG also, which would get you more friends and a boyfriend. Then you become a superhero, something that would allow you to have the biggest IG following ever. Yet you can’t tell anybody. The show does a great job showing how frustrating that is for Kamala.

I can’t believe I wrote this article, guys. In a way, it’s cool, cause I found a new show I like. But in another way, it’s sad. Because it shows how far Star Wars has fallen. This is one of their most popular characters and they’ve essentially neutered him. They have to now hope that everybody simply forgets this show existed if they’re to preserve Obi-Wan’s name.

But in order to send the site into the weekend on a high note, I will say that the Vader-Reva lightsaber battle at the end of the latest episode was the best lightsaber battle in all of Star Wars so far. It was really creative. I just wish they would’ve brought more of that creativity to the storytelling.