It’s tiiiiiiime. This Sunday. The Oscars. Me. You guys. Bears. Dresses. Snarky opinions. It’s going to be AHHH-MAAAAAA-ZING. One of the coolest things about this Oscars? There are no frontrunners. Outside of Brie Larson and maybe Leo, anyone can win anything. But of course, the only categories anyone cares about when they watch these things […]

Today we talk about the danger of a weak premise as well as a little-known structural pitfall that can spell doom for your screenplay long before you’ve written it. Genre: Comedy Logline: On the last day of school, a mild-mannered English teacher manages to upset his co-worker, who then challenges him to a fight at […]

Today’s pilot not only brings one of the best superhero ideas in years to the table, it also reminds us just how important it is to find that fresh angle to a stale genre! Genre: TV Pilot – Comedy/Superhero 
Premise: In a world where superheroes leave a limitless path of destruction, we follow an insurance […]

I’m off for the day guys. I’ve been reading Scriptshadow 250 Contest scripts all weekend and need a breather. I know there was a big hubbub over a certain script submitted to Amateur Offerings on Saturday. Guys, honestly? Don’t get your skivvies in a bunch over it. A “Get Noticed” script is a perfectly viable […]

The Oscars are finally here! Well, at the end of the week, anyway. On Thursday, I’ll be handicapping the original and adapted screenplay categories. That’ll be sure to ruffle some feathers as I’ll probably spend the whole time writing how if Spotlight wins, it means nobody in the Academy understands screenwriting. But in the meantime, […]